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NEWS

29 Apr 2026

Exceptional Presentation by Ivan Moshchuk

Exceptional Presentation by Ivan Moshchuk

Ritmo.es rewards Ivan Moshchuk's debut album with a special highlight

4 Mar 2026

Burkard Schliessmann is Joining the Penguins!

Burkard Schliessmann is Joining the Penguins!

German pianist Burkard Schliessmann soon on Evil Penguin Classic

5 Jan 2026

Cristian Sandrin receives a Critics’ Choice by ARG

Cristian Sandrin receives a Critics’ Choice by ARG

American Record Guide rewards Cristian's Beethoven: Kavatine with a Critics’ Choice 2025

REVIEWS

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Pizzicato

7 October 2026

Uwe Krusch

"These companions on their shared journey from the very beginning, the trio still interprets Mozart’s works with the joyful freshness of explorers. This is paired with the closest possible interaction among them. With each member having their place in the ensemble and their own significance, they find a shared expression and a harmonious blend. With playful vigor, they demonstrate the importance of these compositions within Mozart’s catalog. Elegant phrasing is just as evident as rhythmically driven passion. Throughout, their phrasing always remains true to the appropriate interpretation of the era in general and of Mozart in particular."

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Preis der deutschen Schallplattenkritik

5 October 2026

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Nominated on Longlist 4/2026 for: Jury Kammermusik I

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De Standaard

2 October 2026

Jasper Croonen

"In deze opname van nummers 2, 1 en 5 weten ze die typische esprit van Wolfgang goed over te brengen. Vooral de snelle delen, en het volledige Divertimento, klinken dankzij luchtige versieringen in Sarah Bayens vioolspel en een prominente, heldere pianopartij 'kwinkslagerig'. Maar het is geen holle frivoliteit. Daarvoor is het fundament te sterk. Cellist Mikko Pablo kruipt overtuigd in de ondersteunende rol, terwijl pianist Markiyan Popil doorheen deze drie werken verschillende functies krijgt: protagonist én begeleider. Hij is in allebei even bedreven. Dit doet alvast uitkijken naar deel twee."

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Sonograma

29 September 2026

Carme Miró

"El violoncellista neerlandès fa perceptible aquesta complexitat sense sacrificar la naturalitat del discurs. Cada canvi de registre, cada silenci i cada inflexió melòdica adquireixen un sentit dins la concepció global de l’obra."

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